daphne patakia & virginie efira nudes in benedetta
benedetta - virginie efira & daphne patakia 
2021
homosexual nun gets tortured by priest
there are 5 scenes available for this movie in the members area, each mp4 video file has a resolution of 1280*536 px for a size of 330 mb
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homosexual nun gets tortured by priest
there are 5 scenes available for this movie in the members area, each mp4 video file has a resolution of 1280*536 px for a size of 330 mb
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this movie contains bdsm blonde brunette brutal extreme insertion finger penetration full nudity hairy lesbian object insertion orgasm prison rape rough solo teen too big torture toy young
benedetta is a movie from year 2021 where you can see actresses daphne patakia & virginie efira in naked, nude or sexy scenes.
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Informations on the benedetta movie
“Benedetta” is a 2021 biographical psychological drama film co-written and directed by Paul Verhoeven1. The film stars Virginie Efira as Benedetta Carlini, a nun in the 17th century who joins an Italian convent while a young child and later has a lesbian love affair with another nun, while seeing religious visions1. The film is loosely based on the 1985 non-fiction book “Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy” by Judith C. Brown1. The film premiered in competition for the Palme d’Or at the 74th Cannes Film Festival on July 9, 20211. It has received mixed reviews from critics, with some praising its daring and provocative nature, while others criticizing it for being unfocused and shallow. Roger Ebert’s review of the film describes it as “impossible to ignore” and praises Verhoeven’s exploration of sexuality, corruption, broken systems, and provocation2. Summary: The film tells the story of Benedetta Carlini, a real nun in the early 17th century in Pescia, a small village in Northern Italy. She reportedly had a relationship with one of her nuns while she was abbess of the Convent of the Mother of God, and she was stripped of her rank and imprisoned when the Papacy found out about it. She also reported having visions and even received the stigmata. In 1619, she claimed to have been visited by Jesus himself, who told Benedetta that she was to marry him. People started to question Benedetta’s proclamations, and the ensuing investigation revealed the forbidden relationship. Description: The film opens with young Benedetta being enrolled by her parents in a Theatine convent run by Abbess Felicita to become a nun. Eighteen years later, while playing the Virgin Mary in a play, Benedetta has a vision of Jesus calling to her. One day, a young peasant woman named Bartolomea seeks shelter in the convent from her abusive father. Benedetta is assigned to oversee Bartolomea’s integration into convent life. That night, Bartolomea kisses Benedetta. Benedetta begins to have recurring visions of Jesus. After a particularly fraught vision where a man whom she mistakes for Jesus saves her from being gang-raped, Benedetta falls into a deep illness. Abbess Felicita assigns Bartolomea to look after her. Benedetta has another vision of Christ asking her to undress and touch his hands. The next morning, she wakes up with stigmata on her palms and feet. History: The film is based on the true story of Benedetta Carlini as recounted in Judith C. Brown’s book “Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy”. The production included most of the key crew members from Verhoeven’s previous film “Elle” (which also co-starred Efira), such as producer Saïd Ben Saïd, writer David Birke, composer Anne Dudley and editor Job ter Burg1you have reached your quota of previews for today
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the portrayal of young actresses in horror cinema is an issue that needs to be addressed. It is common to see these actresses being asked to perform nude or in minimal clothing in scenes that are supposed to frighten the audience. This trend objectifies women and reinforces a patriarchal system that devalues their worth.
One example of this trend can be seen in the film "It Follows" (2014) where Maika Monroe's character has several scenes in her underwear. Another film that showcases this trend is "Midsommar" (2019) where Florence Pugh plays a character who is seen naked in multiple uncomfortable and exploitative scenes. These actresses are forced to expose themselves in a manner that serves no purpose other than titillation.
The exploitation of young actresses in horror cinema is not limited to nudity but also extends to sexual violence. A recent example of this is the film "The Perfection" (2018) where Allison Williams's character is subjected to sexual violence in a scene that serves no narrative purpose. Such scenes in horror films only work to normalize the idea of women as victims who must be objectified, stripped of their humanity, and subjected to violence.
Young actresses should not be forced to participate in such scenes that debase their worth and perpetuate a culture of misogyny. The directors, producers, and writers of these films have a responsibility to their actors and the audience to create content that is not exploitative and sensationalistic. The industry should prioritize movies that are not objectifying women or aimed at catering to the male gaze.
It is time for a change in the horror genre where plot, storytelling, and character development are more important than shock value and exploitation. This can be seen in the film "Hereditary" (2018), which is devoid of any sexualized violence or nudity, yet still manages to terrify its audience. It is essential that Hollywood recognizes that this type of content is harmful and the public deserves better.
In conclusion, it is high time that Hollywood puts a stop to objectifying young actresses in horror films. The industry's insistence on skin-deep content at the expense of young actresses perpetuates damaging and harmful stereotypes. There needs to be a change in narrative concerning what deserves recognition in the horror genre. It is high time to stop the perpetuation of abusive content that objectifies women and puts them in situations that are meant to arouse.
One example of this trend can be seen in the film "It Follows" (2014) where Maika Monroe's character has several scenes in her underwear. Another film that showcases this trend is "Midsommar" (2019) where Florence Pugh plays a character who is seen naked in multiple uncomfortable and exploitative scenes. These actresses are forced to expose themselves in a manner that serves no purpose other than titillation.
The exploitation of young actresses in horror cinema is not limited to nudity but also extends to sexual violence. A recent example of this is the film "The Perfection" (2018) where Allison Williams's character is subjected to sexual violence in a scene that serves no narrative purpose. Such scenes in horror films only work to normalize the idea of women as victims who must be objectified, stripped of their humanity, and subjected to violence.
Young actresses should not be forced to participate in such scenes that debase their worth and perpetuate a culture of misogyny. The directors, producers, and writers of these films have a responsibility to their actors and the audience to create content that is not exploitative and sensationalistic. The industry should prioritize movies that are not objectifying women or aimed at catering to the male gaze.
It is time for a change in the horror genre where plot, storytelling, and character development are more important than shock value and exploitation. This can be seen in the film "Hereditary" (2018), which is devoid of any sexualized violence or nudity, yet still manages to terrify its audience. It is essential that Hollywood recognizes that this type of content is harmful and the public deserves better.
In conclusion, it is high time that Hollywood puts a stop to objectifying young actresses in horror films. The industry's insistence on skin-deep content at the expense of young actresses perpetuates damaging and harmful stereotypes. There needs to be a change in narrative concerning what deserves recognition in the horror genre. It is high time to stop the perpetuation of abusive content that objectifies women and puts them in situations that are meant to arouse.
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