tatum o'neal nude in circle of two
circle of two - tatum o'neal 
1982
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there is 1 scene available for this movie in the members area, the mp4 video file has a resolution of 480*360 px for a size of 17 mb
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young teen is raped in the cane fields
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Informations on the circle of two movie
Circle of Two is a 1981 Canadian drama film that explores the controversial and unconventional romance between a 60-year-old painter and a 16-year-old schoolgirl. The film stars Richard Burton as Ashley St. Clair, a renowned artist who has lost his inspiration and passion for his work, and Tatum O’Neal as Sarah Norton, a rebellious and precocious teenager who is dissatisfied with her life and dreams of becoming an actress. The film was directed by Jules Dassin, who was best known for his film noir classics such as Rififi and The Naked City. Circle of Two was Dassin’s last film before his retirement. The film begins with Sarah attending a retrospective exhibition of Ashley’s paintings at a gallery in Toronto. She is captivated by his art and decides to sneak into his studio after the show. There, she meets Ashley, who is initially annoyed by her intrusion, but soon becomes intrigued by her intelligence and personality. He invites her to pose for him, and she agrees, hoping to learn from him and get closer to him. She also lies about her age, telling him that she is 18. As they spend more time together, they develop a friendship that gradually turns into love. Ashley finds in Sarah a new muse that rekindles his creativity and joy for painting. Sarah finds in Ashley a mentor who encourages her artistic aspirations and treats her with respect and affection. However, their relationship faces many obstacles and challenges from the outside world. Sarah’s parents, who are unaware of her affair with Ashley, pressure her to focus on her studies and conform to their expectations. Ashley’s ex-wife, Claudia, who still loves him, tries to win him back and warns him of the consequences of his involvement with Sarah. The society, which disapproves of their age gap and considers their love immoral and illegal, threatens to expose and punish them. The film also shows the contrast between Ashley and Sarah’s worlds. Ashley lives in a luxurious penthouse overlooking the city, surrounded by his paintings and books. He is respected and admired by his peers and fans, but also lonely and disillusioned. Sarah lives in a suburban house with her family, attending a private school and socializing with her friends. She is young and hopeful, but also restless and rebellious. She feels suffocated by her mundane and predictable life, and yearns for adventure and freedom. The film explores the themes of love, art, youth, aging, freedom, conformity, morality, and society. It raises questions about the nature and boundaries of love, the role and responsibility of art, the meaning and value of youth and aging, the importance and cost of freedom, the norms and limits of conformity, the ethics and laws of morality, and the influence and judgment of society. It also portrays the joys and pains of love, the beauty and power of art, the vitality and fragility of youth, the wisdom and regret of aging, the exhilaration and danger of freedom, the comfort and oppression of conformity, the virtue and vice of morality, and the support and criticism of society. The film received mixed reviews from critics and audiences. Some praised it for its boldness and originality in tackling a taboo subject matter with sensitivity and honesty. They also commended the performances of Burton and O’Neal, who displayed a convincing chemistry on screen despite their age difference. Others criticized it for its implausibility and sentimentality in depicting an unrealistic and idealized romance between two mismatched characters. They also found fault with the direction of Dassin, who failed to create a compelling drama or a convincing social commentary. The film was also controversial for its nudity scenes involving O’Neal, who was only 16 at the time of filming. She later regretted doing those scenes, saying that they were a mistake and that she felt forced to do them by the producers. She also stated that she was uncomfortable working with Burton, who was drunk most of the time on set. The film was a commercial failure at the box office. It had a budget of $5.7 million, but only earned $190,000 from its Canadian television distribution rights and $150,000 for its American distribution rights. It was also banned or censored in some countries due to its controversial content. The film has since gained a cult following among some fans who appreciate its daringness and uniqueness in portraying an unconventional love story. It has also been recognized as one of Burton’s last films before his death in 1984. Circle of Two is a film that challenges the viewers to question their own views on love, art, youthyou have reached your quota of previews for today
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a trend in contemporary cinema where actresses are shedding their clothes or revealing their undergarments in scenes. While some may criticize this as objectification, it is important to recognize that these actresses are making a conscious choice to bare themselves and are owning their sexuality.
One of the most talked about examples is Margot Robbie's portrayal of Harley Quinn in Suicide Squad (2016). The film features a scene where she is changing clothes in front of a group of men, revealing her lingerie. However, Robbie has defended the scene, stating that it was important for Harley Quinn to have agency over her own body.
Similarly, in Olivia Munn's debut in X-Men: Apocalypse (2016), her character Psylocke wears a skimpy costume that leaves little to the imagination. Munn acknowledged the sexuality of the character, but also emphasized her strength and power.
Another example is Dakota Johnson's role in Fifty Shades of Grey (2015), a film known for its explicit sexual content. While the nudity and sex scenes were controversial, Johnson defended her decision to take the role, stating that it was important to portray a sexually empowered woman.
It is notable that these actresses are not only baring themselves physically, but also emotionally. Brie Larson's character in Room (2015) is subjected to sexual abuse, and the film features a scene where she is forced to pose for explicit photos. This scene was a difficult one for Larson to film, but she acknowledged the importance of telling the story authentically.
In contrast, Emma Watson's decision to wear a revealing outfit in Beauty and the Beast (2017) sparked debate over whether it was consistent with her feminist beliefs. Watson defended the costume, stating that it was a way to modernize the character and make her more relatable to the audience.
Ultimately, the decision to pose undressed or in underwear in a film is a personal one for each actress. While some may criticize this as objectification, it is crucial to recognize that these women are taking control of their own bodies and using their sexuality to add depth to their characters. As society becomes more accepting of female sexuality, it is essential for cinema to reflect this evolution.
One of the most talked about examples is Margot Robbie's portrayal of Harley Quinn in Suicide Squad (2016). The film features a scene where she is changing clothes in front of a group of men, revealing her lingerie. However, Robbie has defended the scene, stating that it was important for Harley Quinn to have agency over her own body.
Similarly, in Olivia Munn's debut in X-Men: Apocalypse (2016), her character Psylocke wears a skimpy costume that leaves little to the imagination. Munn acknowledged the sexuality of the character, but also emphasized her strength and power.
Another example is Dakota Johnson's role in Fifty Shades of Grey (2015), a film known for its explicit sexual content. While the nudity and sex scenes were controversial, Johnson defended her decision to take the role, stating that it was important to portray a sexually empowered woman.
It is notable that these actresses are not only baring themselves physically, but also emotionally. Brie Larson's character in Room (2015) is subjected to sexual abuse, and the film features a scene where she is forced to pose for explicit photos. This scene was a difficult one for Larson to film, but she acknowledged the importance of telling the story authentically.
In contrast, Emma Watson's decision to wear a revealing outfit in Beauty and the Beast (2017) sparked debate over whether it was consistent with her feminist beliefs. Watson defended the costume, stating that it was a way to modernize the character and make her more relatable to the audience.
Ultimately, the decision to pose undressed or in underwear in a film is a personal one for each actress. While some may criticize this as objectification, it is crucial to recognize that these women are taking control of their own bodies and using their sexuality to add depth to their characters. As society becomes more accepting of female sexuality, it is essential for cinema to reflect this evolution.
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